Narrative, process, and spontaneity are at the core of the work of composer and bassist John M. Kennedy. His early roots as a rock and jazz bassist gave him the opportunity to explore a variety of styles and piqued his curiosity in experimentation, which has been a constant throughout his career. In recent years, he has dedicated much of his creative output to social justice themes including his recent work “Sidewalks” (2023) for singer, spoken word artist, instrumental ensemble, and media. “Mnemonic Meditations, Book I” (2020), a set of trumpet pieces memorializing African-Americans lost to police violence, was recorded by James Ford III, trumpet, and is set for release through online audio distribution platforms in Spring 2024. In late 2024, his large-scale group improvisation called "Un Día en la Playa" will premiere. This site-specific work features two ensembles positioned on opposite sides of the border wall at El Muro en la Playa, Tijuana, Mexico, and Border State Beach, Imperial Beach, California, USA.

Among the international soloists and ensembles who have performed his music are vocalists Nicholas Isherwood and Jeremy Huw Williams, saxophonists William Street and Tong Yang, flutists Rita D’Arcangelo and Marianne Gedigian, ensembles Brightwork New Music, TM+, Ensemble KammerKlang, and the Moscow Contemporary Music Ensemble. His work has been presented at World Saxophone Congresses in the UK, France, and Croatia, the Malta International Music Festival and Competition, the Thailand International Composition Festival, the Hong Kong International Music Festival, and as a US Fulbright Scholar at the University of Malta.

Organizations such as the American Academy and Institute of Arts and Letters, ASCAP, Meet the Composer (New Music USA), and the American Composers Forum, Los Angeles, have recognized his work throughout his career. A faculty member of California State University, Los Angeles since 1994, he received the President’s Distinguished Professor Award in 2021. While attending the University of Michigan, he studied music composition with Leslie Bassett, William Albright, and Fred Lerdahl, and double bass with Lawrence Hurst and Stuart Sankey. He lives in Woodland Hills, California, with his wife classical guitarist and painter Satik Andriassian. For more information, please go to www.johnmkennedy.net.

Tong Yang has established himself as one of the foremost saxophone soloists and pedagogues in China and on the international stage today. He has performed in Asia, Europe, and the United States and has premiered new works for saxophone at World Saxophone Congresses in Ljubljana, Bangkok, Strasbourg, and Zagreb. Among the composers he has collaborated with are Mauricio Kagel, Hans-Joachim Hespos, Ida Kotkovsky, Betsy Jolas, Francois Rossé, Qi Gang Chen, Robert Lemay, Chao Ming Tung, Etienne Rollin, and Christian Lauba. A Tenured Professor of Saxophone at Central Conservatory of Music, Beijing, he was awarded the “Best of the Best” (BOB) music instructor award. He is a music ambassador of Selmer-Paris and a world artist of D’Addario.

James Ford III is a native of Georgia. Since moving to Los Angeles in 2003, he has established an impressive reputation as an accomplished all-around trumpet player. He performs in diverse musical settings including big band, small groups, orchestral, chamber, pop, and early music ensembles. Ford continues to experiment and broaden his musical palette. He is a member of the Clayton-Hamilton Jazz Orchestra, John Beasely's MONKestra, and the Benjamin Wright Orchestra. Ford has played in venues in Europe, Asia, South America, South Africa, Canada, and throughout the U.S. A distinguished teacher and mentor, he was a Fulbright Scholar to South Africa, and in 2023 was recognized by California State University, Los Angeles with an Outstanding Professor Award.

Equinox explores the intersection of process and spontaneity in solo works for alto saxophone and trumpet. While one work grows in intensity from beginning to end, the other reflects bursts of visceral emotion and somber reflection.